An 18th-century dress worn by Lady Margaret Ogilvy, a supporter of the Jacobite cause, is set to be auctioned in Edinburgh. The brocaded gown was worn by Lady Ogilvy when she attended a ball hosted by Prince Charles Edward Stuart in 1745. The dress has been on loan to the Royal Collection for nearly 100 years and was previously part of an exhibition at the National Museums Scotland.

Lady Ogilvy was present at a ball following a Jacobite victory, an event that was initially thought to be fictional but was later confirmed by a discovered letter. After the Battle of Culloden, she was captured and condemned to death. She managed to escape by disguising herself as a man and eventually made her way to France to join her husband.

The auction will also feature a cannonball from the Battle of Culloden, engraved with "Ogilvy Culloden 16 April 1746," along with a snuff box bearing a portrait of Prince Charles Edward Stuart and an engraved pistol. These items are all part of a collection belonging to the Earls of Airlie.

Original article (edinburgh)

Actionable Information: There is no actionable information in this article. It does not provide any steps, plans, or advice that a reader can implement in their daily life.

Educational Depth: The article offers some historical facts about Lady Margaret Ogilvy and the Jacobite cause, including details about her dress, her attendance at a ball, her escape, and artifacts related to the Battle of Culloden. However, it lacks deeper educational value as it does not explain the historical context, the significance of the Jacobite cause, the reasons behind the conflict, or the societal impact of these events. It presents facts without exploring the "why" or "how."

Personal Relevance: This article has very little personal relevance for a typical reader. The auction of historical artifacts and the story of an 18th-century figure do not directly impact a person's daily life, finances, safety, or future plans.

Public Service Function: The article does not serve a public service function. It is a news report about an upcoming auction and historical figures, not a source of warnings, safety advice, or essential public information.

Practicality of Advice: As there is no advice given, this point is not applicable.

Long-Term Impact: The article has no long-term impact on the reader. It does not offer guidance for planning, saving, or future well-being.

Emotional or Psychological Impact: The article is unlikely to have a significant emotional or psychological impact. It is a factual report that might evoke mild interest in history but does not aim to influence feelings of strength, calmness, or hope.

Clickbait or Ad-Driven Words: The article does not appear to use clickbait or ad-driven language. The tone is informative and factual, without resorting to sensationalism.

Missed Chances to Teach or Guide: The article missed opportunities to provide greater educational value. For instance, it could have explained the significance of brocaded fabric in 18th-century fashion, elaborated on the political climate of the Jacobite era, or provided context for the importance of the artifacts being auctioned. A reader interested in learning more could research the Jacobite rebellions, the history of Scottish fashion, or the specific historical figures mentioned through reputable historical websites or academic resources.

The text presents Lady Margaret Ogilvy as a supporter of the "Jacobite cause." This phrasing frames her actions within a specific political movement, potentially influencing how readers perceive her. It doesn't offer a neutral description of her loyalties or actions. This choice of words highlights her political affiliation in a way that might evoke certain historical associations for the reader.

The text states that Lady Ogilvy was "captured and condemned to death." This phrasing emphasizes the severity of her situation after the Battle of Culloden. It focuses on the negative outcome for her, without providing context about the broader events or the reasons for her condemnation. This highlights a focus on her personal peril.

The text mentions that Lady Ogilvy "managed to escape by disguising herself as a man." This detail focuses on her resourcefulness and the method of her escape. It highlights her gender and the unusual nature of her evasion. This could be seen as emphasizing her actions in a way that plays on societal norms of the time.

The text describes an event as "initially thought to be fictional but was later confirmed by a discovered letter." This phrasing suggests a narrative where a historical event was doubted and then proven true. It highlights the discovery of evidence, which lends credibility to the event. This frames the confirmation as a significant revelation.

The text about Lady Margaret Ogilvy and the upcoming auction evokes a sense of excitement and historical significance. This is evident from the description of the dress being "set to be auctioned," which suggests anticipation for the event. The mention of the dress being worn at a ball hosted by Prince Charles Edward Stuart in 1745, and its previous loan to the Royal Collection, highlights its importance and the pride associated with its history. The purpose of this excitement and pride is to draw the reader's attention to the auction and the valuable items it contains, making them feel that this is an event worth knowing about.

Furthermore, the narrative surrounding Lady Ogilvy's life introduces emotions of bravery and determination. Her presence at a ball following a Jacobite victory, and her subsequent capture and condemnation to death, followed by a daring escape disguised as a man, all point to immense courage. The phrase "managed to escape by disguising herself as a man" strongly conveys her resourcefulness and will to survive. This portrayal of bravery is intended to create sympathy for Lady Ogilvy and admiration for her actions, shaping the reader's perception of her as a heroic figure.

The inclusion of the cannonball from the Battle of Culloden, engraved with specific details, and the snuff box with Prince Charles Edward Stuart's portrait, contribute to a feeling of nostalgia and connection to the past. These items are presented as tangible links to significant historical moments, fostering a sense of reverence for the period and the people involved. The writer uses descriptive language, like "brocaded gown" and the specific engraving on the cannonball, to make these objects feel more real and important, thereby increasing the emotional impact and guiding the reader to appreciate the historical weight of the auction. The overall effect is to build interest in the auction by connecting it to compelling stories of courage, historical events, and treasured artifacts.