Tom Jones headlined the final day of the Discovery Festival in Dundee, performing at Slessor Gardens. The event featured other acts, including Ocean Colour Scene and The Human League on previous days. Gates opened at 3 PM, with the first act scheduled to start at 4 PM. Although exact set times were not confirmed, it was expected that Tom Jones would take the stage around 7 PM.

The weather forecast for Dundee indicated cloudy skies with light showers and temperatures ranging from 18°C to 19°C (64°F to 66°F). Concertgoers were advised against bringing bags larger than A4 size and prohibited items included food and drink (unless accompanied by a doctor's note), glass containers, camping chairs, professional cameras, and dogs (except assistance dogs). Once attendees entered Slessor Gardens, they could not re-enter after leaving.

The festival operated on a cashless system for bars; however, cash could be used to buy tokens for drinks. Various food vendors offered options like burgers, pizza, and Greek souvlaki. Limited tickets remained available for those wanting to attend Tom Jones' performance.

Ticket prices varied: general admission was £62.90 while "Gold Circle" tickets cost £91. A weekend pass covering all three days was priced at £168.40. Unfortunately, there were no refunds or transfers available for those unable to attend after purchasing tickets in advance.

Original article (dundee)

Here is an analysis of the article's value to readers:

Actionable Information: The article provides some practical details about the Discovery Festival in Dundee, including the lineup, schedule, and ticket prices. It also offers a list of prohibited items and gives clear instructions on the cashless system for drinks. These are all pieces of information that readers can use to plan their attendance at the festival.

However, it lacks specific details on set times for each act, which could be a missed opportunity for readers to plan their day more precisely. Additionally, while it mentions re-entry rules, it doesn't provide any alternatives or solutions for those who might need to leave and return.

Educational Depth: The article does not delve deep into the educational aspect. It provides basic facts about the festival, such as the lineup, weather, and rules, but it doesn't explain the reasoning behind these decisions or offer any historical context. For instance, it doesn't explain why certain items are prohibited or provide any insights into the festival's organization or the artists' performances.

Personal Relevance: For those interested in attending the Discovery Festival or similar events, the article is relevant as it provides practical information to help them plan their experience. It covers essential details like the lineup, schedule, and rules, which directly impact attendees' experiences and decisions.

However, for those who are not planning to attend, the article may not hold much personal relevance. It doesn't offer any broader insights or implications that could affect readers' daily lives or future plans.

Public Service Function: The article serves a public service function by providing official information about the festival, including rules and regulations. It informs readers about prohibited items, re-entry policies, and the cashless system, which are essential for attendees' safety and convenience.

However, it could be more helpful by providing clearer instructions or alternatives for re-entry and by offering more detailed information on set times to help attendees plan their day better.

Practicality of Advice: The advice and information provided in the article are generally practical and realistic. The list of prohibited items and the re-entry policy, while strict, are standard for many festivals and events, and attendees can plan accordingly. The cashless system for drinks is a practical solution, and the ticket prices are presented clearly.

However, as mentioned, the lack of specific set times could make it challenging for attendees to plan their day, especially if they want to see multiple acts.

Long-Term Impact: The article doesn't address any long-term impacts or provide any insights or actions that could have lasting effects. It is focused on providing information for the specific event, which has a limited timeframe. While the festival itself may have some long-term implications for the local community or the artists involved, the article doesn't explore these aspects.

Emotional or Psychological Impact: The article is neutral in its emotional impact. It presents information in a straightforward manner without trying to evoke strong emotions. While it may excite fans of the artists performing, it doesn't aim to manipulate readers' emotions.

Clickbait or Ad-Driven Words: The article does not use clickbait or ad-driven language. It presents the information in a factual and straightforward manner, without sensationalizing or exaggerating any details.

Missed Chances to Teach or Guide: The article could have been more helpful by providing more detailed information on set times, especially for the headline act, Tom Jones. Additionally, offering alternatives or solutions for attendees who might need to leave and re-enter the festival grounds could have been a valuable addition.

For readers seeking more information, they could check the festival's official website or social media pages for updates, or contact the organizers directly for specific queries. Alternatively, they could explore trusted music or event-focused websites or forums for more insights and experiences from past attendees.

"Gates opened at 3 PM, with the first act scheduled to start at 4 PM."

This sentence uses passive voice to hide who is in control of the timing. It doesn't say who decides when the gates open or when the acts start. This could be a way to avoid taking responsibility for any delays or issues with the schedule. By using passive voice, it creates a sense of uncertainty and shifts focus away from the organizers.

"Although exact set times were not confirmed..."

Here, the use of "not confirmed" suggests a lack of transparency and control. It implies that the organizers are unable or unwilling to provide specific details, which can create uncertainty for attendees. This lack of clarity may benefit the organizers by giving them flexibility and avoiding potential criticism for strict scheduling.

"Concertgoers were advised against bringing bags larger than A4 size..."

The word "advised" is a soft way to present a rule or restriction. It makes it sound like a suggestion rather than a strict prohibition. This wording could make attendees feel less restricted and more open to following the guidelines. It's a subtle way to encourage compliance without using forceful language.

"Once attendees entered Slessor Gardens, they could not re-enter after leaving."

This sentence is an example of a strict rule presented as a fact. It doesn't explain the reason behind this policy or consider any exceptions. The use of "could not" is absolute and leaves no room for discussion or flexibility. This rule benefits the organizers by simplifying crowd control and security measures.

"Various food vendors offered options like burgers, pizza, and Greek souvlaki."

By mentioning specific food options, the text creates a positive association with the festival. It highlights the variety and appeal of the food choices, which can influence attendees' perceptions and experiences. This strategic mention of food vendors adds to the overall positive image of the event.

The text evokes a range of emotions, primarily excitement and anticipation, which are central to the festival experience. These emotions are conveyed through the description of the event's lineup, with Tom Jones as the headline act, and the anticipation of his performance at a specific time. The mention of other acts, such as Ocean Colour Scene and The Human League, adds to the excitement, creating a sense of a well-curated and enjoyable festival.

The text also conveys a sense of urgency and exclusivity. The limited availability of tickets, especially for Tom Jones' performance, creates a feeling of scarcity and the need to act quickly. This urgency is further emphasized by the absence of refunds or transfers, which adds a layer of finality to the decision to attend.

The weather forecast, while not ideal, contributes to a sense of resilience and adaptability. The mention of cloudy skies and light showers suggests that attendees may need to prepare for less-than-perfect conditions, fostering a sense of community and shared experience among those who brave the elements.

The detailed information about prohibited items and re-entry policies conveys a sense of control and organization. This level of detail may instill confidence in attendees, assuring them that the festival has considered their safety and comfort.

The cashless system for bars and the availability of food options create a sense of convenience and ease, contributing to an overall positive experience.

These emotions are strategically employed to guide the reader's reaction and create a positive association with the festival. The excitement and anticipation build a sense of anticipation and eagerness to attend, while the urgency and exclusivity create a feeling of FOMO (fear of missing out), encouraging readers to take action and secure their tickets.

The text employs persuasive techniques by using emotional language and creating a sense of community. The mention of "headline act" and "well-curated" implies a high-quality, must-see event. The use of specific details, such as exact ticket prices and the range of food options, adds credibility and a sense of trustworthiness.

The text also employs a sense of comparison, implying that this festival is a unique and special experience compared to others. The mention of specific acts and the detailed information about the event create a sense of exclusivity and a desire to be a part of this shared experience.

By evoking these emotions and employing these persuasive techniques, the text effectively guides the reader's reaction, creating a positive association with the Discovery Festival and encouraging attendance.