A Glasgow-based visual effects studio, FixFX, expressed excitement over its role in the Emmy-nominated series The Penguin. The show received 24 nominations at the 2025 Emmy Awards, including categories for Outstanding Prosthetic Makeup and Outstanding Special Visual Effects in a Single Episode. FixFX collaborated with an Oscar-winning makeup team to enhance Colin Farrell’s character, Oswald Cobblepot.

The studio's chief executive, Colin Kennedy, noted that while their work may not be directly recognized in awards, it significantly contributed to the show's success. VFX Supervisor Chris Duffy explained that most of their efforts focused on refining Farrell's prosthetics to achieve a gritty look for the series. Despite facing delays due to Hollywood strikes during production, FixFX completed around 800 shots for The Penguin over six months.

Kennedy highlighted how working on high-profile projects like Outlander has helped expand their talent and job opportunities within Scotland’s film industry. In addition to The Penguin and Outlander, FixFX has also worked on popular shows such as Stranger Things and films like Civil War.

The studio is optimistic about future projects as interest in Scottish filmmaking grows due to funding initiatives from Creative Scotland aimed at attracting major productions. Recent large-scale films have been shot in Scotland, increasing visibility for local companies like FixFX. Although there are challenges ahead due to industry unpredictability and recent strikes, Kennedy remains hopeful about upcoming opportunities with clients such as Warner Brothers and Netflix.

Original article

The article provides an insightful look into the world of visual effects and the impact of a Scottish studio's work on popular TV shows and films. However, it does not offer immediate actionable information for readers to implement. While it mentions the studio's collaboration and the challenges faced, there are no specific steps or instructions provided for readers to take action on.

Educationally, the article does offer some depth. It explains the role of visual effects studios in enhancing on-screen characters and the collaboration between VFX and makeup teams. It also provides context on the impact of industry strikes and how they can affect production timelines. However, it does not delve into the technical aspects or provide an in-depth understanding of the visual effects process.

In terms of personal relevance, the article may interest those who are fans of the mentioned shows and films or have an interest in the film industry. It highlights the growing visibility of Scottish filmmaking and the potential opportunities for local talent. This could be relevant to those considering a career in the industry or those interested in the economic impact of film production.

The article does not serve an immediate public service function, as it does not provide official warnings, safety advice, or emergency contacts. It primarily serves to inform readers about the studio's work and its potential impact on the industry.

The advice and insights offered in the article are practical to a certain extent. The mention of the studio's collaboration and the challenges faced during production provide a realistic view of the industry. However, the article does not offer specific advice or strategies that readers can directly apply to their own situations or careers.

In terms of long-term impact, the article highlights the potential for growth and expansion within the Scottish film industry, which could have lasting effects on local talent and the industry's future. It also emphasizes the importance of funding initiatives and their impact on attracting major productions.

Emotionally, the article may inspire readers with a sense of hope and optimism for the future of Scottish filmmaking. It showcases the studio's achievements and their potential for further success, which could motivate and encourage readers with similar interests or goals.

The article does not employ clickbait or ad-driven language. It presents the information in a straightforward manner, focusing on the studio's work and its implications. While it may not be sensationalized, it does capture the reader's attention with its focus on a specific studio and its contributions to popular shows and films.

The described actions and the pursuit of recognition in the entertainment industry reveal a concerning disconnect from the fundamental duties and moral bonds that sustain families, communities, and the land.

The focus on awards and the studio's role in high-profile projects, while boosting their reputation and job opportunities, neglects the deeper responsibilities owed to the collective. The studio's chief executive acknowledges that their work may not be directly recognized in awards, yet they emphasize the success and visibility gained from these projects. This pursuit of personal gain and recognition undermines the unity and strength of the collective.

The collaboration with an Oscar-winning makeup team to enhance an actor's character, while showcasing skill, also highlights a misalignment of priorities. The emphasis is on the visual appeal and the gritty look, rather than on the deeper storytelling or the protection and care of the actors and crew. This aesthetic focus can lead to a disregard for the well-being of individuals, especially when faced with challenges like production delays and strikes.

The studio's optimism about future projects and their mention of funding initiatives and major productions further reveals a disconnect from the core duties of kinship and stewardship. The pursuit of large-scale projects and the potential for increased visibility and talent expansion should not come at the cost of the protection and care of the vulnerable, be they actors, crew, or the local community.

If this behavior spreads unchecked, it will weaken the moral fabric that binds families and communities together. The pursuit of personal gain and recognition will overshadow the collective responsibility to protect and care for one another. Children will grow up in an environment where the value of their work and contributions is measured by external accolades rather than the intrinsic worth of their efforts. Elders, who are the bearers of wisdom and tradition, may be overlooked or undervalued in this pursuit of glamour and fame.

The land, too, will suffer as the focus shifts from stewardship to exploitation. The natural balance and the resources that sustain life will be threatened by an industry that prioritizes visual appeal and profit over the long-term health and sustainability of the environment.

To restore the broken trust and duty, individuals must recognize the inherent value in their contributions beyond external recognition. They must prioritize the well-being of their kin, the care of resources, and the peaceful resolution of conflicts. This means ensuring fair treatment and protection for all involved, from the actors to the local communities impacted by productions.

The real consequence of this unchecked behavior is a society fragmented by individual pursuits, where the bonds of kinship and the respect for the land are weakened. Children will grow up in a world where the value of their existence is measured by external validation, and the land will be exploited for short-term gains, threatening the very survival of future generations.

It is a duty to protect life and balance, and this critique serves as a reminder that the strength of our communities and the health of our land depend on our ability to uphold these timeless moral bonds.

"FixFX... expressed excitement over its role in the Emmy-nominated series The Penguin."

This sentence uses a positive tone and excitement to describe FixFX's involvement. The use of "expressed excitement" suggests a genuine enthusiasm, which can create a favorable impression of the studio. This bias helps to portray FixFX in a positive light and may influence readers to view their work more favorably.

"VFX Supervisor Chris Duffy explained that most of their efforts focused on refining Farrell's prosthetics to achieve a gritty look for the series."

Here, the focus is on the visual effects and the creative process. By highlighting the hard work and attention to detail, the sentence creates an impression of skill and expertise. This bias emphasizes the technical aspects, potentially downplaying other challenges or difficulties faced during production.

"Kennedy highlighted how working on high-profile projects like Outlander has helped expand their talent and job opportunities within Scotland’s film industry."

The mention of "high-profile projects" and the expansion of talent and opportunities suggests a positive impact on the local film industry. This bias presents FixFX as a driving force for growth and development, potentially enhancing their reputation and standing within the industry.

"Recent large-scale films have been shot in Scotland, increasing visibility for local companies like FixFX."

By stating that films being shot in Scotland increase visibility for local companies, this sentence implies a direct benefit to FixFX. The bias here is that it associates the studio's success with the growth of the Scottish film industry, creating a positive association and potentially attracting further attention and opportunities.

"Although there are challenges ahead due to industry unpredictability and recent strikes, Kennedy remains hopeful about upcoming opportunities with clients such as Warner Brothers and Netflix."

The use of "challenges" and "unpredictability" creates a sense of uncertainty, but the sentence ends on a hopeful note. This bias presents a balanced view, acknowledging potential difficulties while maintaining a positive outlook. It may influence readers to see FixFX as resilient and optimistic, which could be beneficial for their reputation.

The text conveys a range of emotions, primarily excitement, pride, and optimism, which are expressed by the individuals associated with FixFX, the Glasgow-based visual effects studio. These emotions are evident throughout the text and serve to highlight the studio's achievements and future prospects.

Excitement is a dominant emotion, particularly when FixFX expresses its enthusiasm for its role in the Emmy-nominated series "The Penguin." This excitement is further emphasized by the studio's collaboration with an Oscar-winning makeup team, which adds a layer of prestige to their work. The CEO, Colin Kennedy, also expresses excitement about the studio's involvement in high-profile projects like "Outlander," which has opened up new opportunities within the Scottish film industry.

Pride is another emotion that shines through, especially when Kennedy speaks of the studio's contribution to the success of "The Penguin," even though their work may not be directly recognized in awards. This sentiment reflects a sense of satisfaction and accomplishment for the studio's achievements.

Optimism is also a key emotion, as the studio looks forward to future projects and the growing interest in Scottish filmmaking. Kennedy's hopefulness about upcoming opportunities with major clients like Warner Brothers and Netflix showcases a positive outlook despite the challenges posed by industry unpredictability and strikes.

These emotions are strategically employed to guide the reader's reaction and create a positive perception of FixFX. By expressing excitement and pride, the studio showcases its passion and dedication, which can inspire trust and admiration from readers. The optimism displayed further enhances this positive image, suggesting that FixFX is a forward-thinking and resilient company, capable of navigating industry challenges.

The writer effectively employs emotional language to persuade the reader. For instance, the use of phrases like "Emmy-nominated series" and "Oscar-winning makeup team" adds a layer of prestige and excitement to the studio's work. By repeatedly mentioning the studio's involvement in high-profile projects and its collaboration with renowned teams, the writer emphasizes FixFX's reputation and expertise.

Additionally, the writer employs a personal tone when quoting Kennedy, which adds a human element to the story. This strategy helps to build a connection with the reader, making the studio's achievements and future prospects more relatable and engaging. By sharing Kennedy's optimism and pride, the writer invites the reader to share in these emotions, fostering a sense of support and encouragement for FixFX's future endeavors.

In summary, the text skillfully utilizes emotions to guide the reader's reaction, creating a positive and inspiring narrative around FixFX's achievements and future prospects. The strategic use of emotional language and storytelling techniques effectively persuades the reader to view the studio favorably and share in its excitement and optimism.