The TRNSMT festival in Glasgow was wrapping up its 2025 edition with a lineup featuring several well-known artists. On Sunday, July 13, the main stage showcased performances from Snow Patrol, Gracie Abrams, JADE, Myles Smith, The Lathums, Nathan Evans & The Saint Phnx Band, Tom Walker, Nieve Ella, and Smirnoff presents King Tut's Stage acts like Shed Seven and Nina Nesbitt.

Other performers included those on the BBC Introducing stage such as Matilda Mann and Aaron Rowe. The Radio 1 Dance Stage featured artists like Jazzy and Beth.

The festival had age restrictions in place; attendees under 16 were not allowed entry. Those over 16 needed to carry a valid photo ID if required. Snow Patrol was set to be the headliner for the final performance of the weekend.

Original article

This article is like a fun map that shows you a cool festival with lots of music and artists, but it's not like a secret treasure map that helps you find something super special. It doesn't give you a list of things to do or a plan to follow, so it's not very helpful if you want to take action. It's more like a story that tells you about the festival and who's playing, but it doesn't teach you anything super important or give you new knowledge that you can use. It's not like a book that helps you learn how to do something or understand a big problem. The article is also not very useful for your everyday life, unless you're going to the festival, because it doesn't talk about things that might affect you or your family directly. It's more like a fun story about a party, but it's not like a news report that tells you about something that might change your life. It doesn't give you any special tools or resources to help you, and it's not trying to make the world a better place or solve a big problem. It's just a story about a fun event. And it's not like a game or a puzzle that makes you think hard or feel happy inside. It's more like a picture that you look at, but it doesn't make you feel something special or teach you how to be a better person. So, this article is like a nice story, but it's not very helpful or important for most people, and it's not trying to make you feel good or solve a big problem. It's just there to tell you about a festival, and that's all.

The described event, a large music festival, has a limited impact on the strength and survival of families, clans, neighbors, and local communities. The primary interaction with family structures is through the age restriction, which prevents those under 16 from attending. This implicitly acknowledges a duty of parents or guardians to supervise their children, as those under 16 are not permitted entry. The requirement for photo ID for those over 16, if needed, places a burden of personal responsibility on individuals to prove their age, a minor aspect of self-governance within the community.

The festival's focus on entertainment and performance does not directly engage with or alter the fundamental duties of kin, the stewardship of the land, or the protection of vulnerable members of the community. It does not foster intergenerational bonds, nor does it create dependencies that fracture family cohesion. The event itself is a temporary gathering, and its effects on local relationships, trust, and responsibility are negligible beyond the immediate context of attendance.

The real consequences if such large-scale, temporary entertainment events were to become the primary focus of community life, displacing traditional forms of gathering and mutual support, would be a weakening of direct kinship ties. This would occur if the time and resources dedicated to such events detracted from the essential duties of raising children, caring for elders, and maintaining local resources. The continuity of the people and the stewardship of the land would be jeopardized if communal energy was solely directed towards transient amusements rather than the enduring tasks of survival and procreation.

The text has a positive bias towards the TRNSMT festival and its lineup. It uses words like "well-known artists" and "showcased performances" to create a favorable impression. This bias is seen in:

"The main stage showcased performances from Snow Patrol, Gracie Abrams, JADE, Myles Smith, The Lathums..." The use of "showcased" makes the performances sound impressive and draws attention to the popular acts.

The text evokes a range of emotions, primarily excitement and anticipation, as it describes the concluding day of the TRNSMT festival. The mention of well-known artists performing on the main stage, such as Snow Patrol, Gracie Abrams, and Tom Walker, generates a sense of enthusiasm and eagerness among music enthusiasts. The inclusion of specific stage names, like the "Smirnoff presents King Tut's Stage," adds to the excitement, creating a vibrant and lively atmosphere.

The text also conveys a sense of inclusivity and responsibility. The age restrictions and the requirement for valid photo IDs for attendees over 16 imply a well-organized and safe environment, which may instill a feeling of trust and security in potential festival-goers.

The writer's choice of words and the structure of the text are designed to build excitement and create a positive perception of the festival. By listing the artists and stages in a clear, concise manner, the text emphasizes the variety and quality of the performances. The use of phrases like "wrapping up" and "final performance" suggests a sense of completion and satisfaction, as if the festival has been a successful journey, building towards this grand finale.

The mention of specific artists and stages also serves to personalize the experience, making it more relatable and engaging. For instance, the reference to "Shed Seven" and "Nina Nesbitt" on the Smirnoff stage might evoke a sense of nostalgia or familiarity for some readers, encouraging them to imagine themselves at the festival.

Furthermore, the text employs a subtle persuasive technique by focusing on the positive aspects of the festival, such as the diverse lineup and the well-organized entry system. By highlighting these strengths, the writer aims to create a favorable impression and encourage attendance at future editions of the TRNSMT festival.

In summary, the text skillfully employs emotional language and persuasive techniques to create a positive, exciting image of the TRNSMT festival, guiding the reader's reaction towards anticipation and enthusiasm while also building trust in the festival's organization and appeal.