TRNSMT Festival took place at Glasgow Green, with day two featuring Biffy Clyro as the headliner. The festival opened its gates at 12 PM, offering a full schedule of performances across four stages. Notable acts included Inhaler, The Kooks, Jake Bugg, Sigrid, and Fontaines D.C. Biffy Clyro was set to perform on the main stage from 9:10 PM to 10:50 PM.

The lineup for the Main Stage included various artists throughout the day, starting with Lucia and The Best Boys at 12:20 PM and concluding with Biffy Clyro later in the evening. Other stages featured performances from artists like Jake Bugg and Underworld.

An important update was shared regarding Wunderhorse, who had to cancel their performance due to illness. Miles Kane stepped in as a replacement for their scheduled set.

Weather conditions were expected to be quite warm, reaching up to 30°C (86°F), prompting festival-goers to prepare accordingly by bringing sunscreen and hydration supplies. Attendees were allowed to bring soft collapsible water bottles but not hard plastic or metal ones.

The festival enforced a strict age policy of 16+, along with a cashless payment system requiring attendees to use bank cards instead of relying solely on mobile payment apps. Once inside the venue, re-entry was not permitted; leaving meant that attendees could not return even if they still held their tickets. Additionally, chairs were prohibited on-site due to available seating areas provided by the festival organizers.

For those attending TRNSMT Festival, detailed information about food vendors and a site map could be accessed through the official app.

Original article

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"The festival opened its gates at 12 PM, offering a full schedule of performances across four stages."

This sentence uses passive voice to describe the festival's actions. It avoids mentioning who or what is responsible for opening the gates and offering performances. This passive construction can make the festival seem more impersonal and less accountable for its decisions and actions. By not explicitly stating who is in charge, it may downplay the role of organizers and their potential influence or biases.

"Notable acts included Inhaler, The Kooks, Jake Bugg, Sigrid, and Fontaines D.C."

The use of the word "notable" here is a form of virtue signaling. It suggests that these acts are particularly noteworthy or impressive, potentially elevating their status and drawing attention to them. This word choice can create a positive association with these artists and their performances, influencing how readers perceive their importance within the festival lineup.

"Weather conditions were expected to be quite warm, reaching up to 30°C (86°F), prompting festival-goers to prepare accordingly by bringing sunscreen and hydration supplies."

This sentence employs a causal relationship to imply that festival-goers are responsible for preparing for the warm weather. It suggests that attendees should take individual action to cope with the heat, potentially shifting attention away from the festival organizers' responsibilities to provide a safe and comfortable environment. This framing can downplay the organizers' role in ensuring adequate shade, hydration stations, or other measures to address the heat.

"Attendees were allowed to bring soft collapsible water bottles but not hard plastic or metal ones."

The phrase "allowed to bring" implies a certain level of control and restriction over what attendees can bring. It suggests that the festival organizers are granting permission, which can create a power dynamic where attendees must follow these rules. This language may also imply that attendees are at the mercy of the organizers' decisions, shaping the overall atmosphere and experience of the festival.

"Once inside the venue, re-entry was not permitted; leaving meant that attendees could not return even if they still held their tickets."

The use of the phrase "not permitted" here is a strong statement that conveys a strict and unyielding policy. It leaves no room for flexibility or exceptions, potentially creating a sense of unease or frustration among attendees. This rule, when presented in such absolute terms, can shape the overall atmosphere and impact the festival-going experience, especially for those who may need to leave temporarily.

The text about the TRNSMT Festival evokes a range of emotions, primarily excitement and anticipation. These emotions are expressed through the description of the festival's lineup, the diverse range of artists, and the detailed information provided for attendees. The text aims to create a sense of enthusiasm and eagerness among readers, building excitement for the event.

The mention of the festival's opening gates at 12 PM and the full schedule of performances across multiple stages sets the tone for a vibrant and energetic atmosphere. The inclusion of notable acts like Inhaler, The Kooks, and Biffy Clyro as headliners further enhances the excitement, as these artists are likely to draw a large and enthusiastic crowd. The anticipation builds as the text reveals the precise timing of Biffy Clyro's performance, creating a sense of anticipation for the evening's headline act.

The emotion of excitement is also conveyed through the description of the festival's amenities and policies. The mention of warm weather conditions and the need for attendees to prepare with sunscreen and hydration supplies creates a sense of preparedness and awareness. The age policy and cashless payment system are presented as practical measures, ensuring a smooth and organized event experience.

The text also conveys a sense of disappointment and regret with the update about Wunderhorse's cancellation due to illness. This emotion is subtle but serves to humanize the festival and its artists, reminding readers of the unpredictable nature of live performances. The replacement of Wunderhorse with Miles Kane is a positive turn of events, offering a solution and maintaining the festival's momentum.

The writer's use of emotion is subtle but effective. The text avoids overly dramatic language, instead relying on a steady build-up of excitement and anticipation. The mention of specific performance times and the detailed lineup create a sense of anticipation, as readers can visualize the festival's progression and imagine themselves experiencing it.

The text also employs a sense of community and shared experience by referring to "festival-goers" and "attendees." This inclusive language fosters a sense of belonging and encourages readers to imagine themselves as part of the festival crowd. The mention of practical considerations, such as allowed and prohibited items, further enhances the sense of community, as it implies a shared understanding and adherence to festival rules.

In terms of persuasion, the text employs a strategic use of language to create a positive and inviting atmosphere. The emphasis on the diverse range of artists and the detailed information provided (such as the official app for food vendors and a site map) suggests a well-organized and considerate event. This attention to detail and the focus on attendee comfort and convenience are likely to instill trust and confidence in potential festival-goers.

Overall, the text skillfully uses emotion to create a vibrant and exciting atmosphere, building anticipation for the TRNSMT Festival. The subtle inclusion of practical considerations and the humanizing element of artist cancellations and replacements add depth and authenticity to the message, shaping a positive and persuasive narrative.